Dear all, Upon inheriting the Looking Glass from our predecessors, we identified a number of key issues. Firstly, there were simply not enough articles being published, due both to a lack of submissions from the school community and limited responsiveness from the previous Academic Team. Secondly, the Looking Glass had not been advertised or explained effectively enough to the wider school community. As a result, we plan to implement a more consistent and engaging stream of articles on the Looking Glass. As part of this initiative, we are looking to recruit a select group of keen writers from across the lower school who would be willing to produce one high-quality piece of writing, discussion, or media each month for publication on the Looking Glass. We believe this will be hugely beneficial both to the school community, which will gain access to a wider range of opinions and viewpoints, and to prospective writers, who will be able to reference their experience contributing to the Look...
MR B. F. EASTLEY, MATHEMATICS TEACHER This essay provides a brief overview of a fascinating period of musical development during the latter half of the fourteenth century, during which some of the most sophisticated music ever written was composed and performed. The ‘Ars subtilior’ or ‘subtler art’ (a 20th century musicologist’s title) is a repertory of several hundred songs by French, Italian, Flemish, and Spanish musicians. This music is quite distinct from other contemporary compositions due to its dazzling complexity in all aspects – particularly rhythmic – but also harmonic, textual, and sometimes visual.