Dear all, Upon inheriting the Looking Glass from our predecessors, we identified a number of key issues. Firstly, there were simply not enough articles being published, due both to a lack of submissions from the school community and limited responsiveness from the previous Academic Team. Secondly, the Looking Glass had not been advertised or explained effectively enough to the wider school community. As a result, we plan to implement a more consistent and engaging stream of articles on the Looking Glass. As part of this initiative, we are looking to recruit a select group of keen writers from across the lower school who would be willing to produce one high-quality piece of writing, discussion, or media each month for publication on the Looking Glass. We believe this will be hugely beneficial both to the school community, which will gain access to a wider range of opinions and viewpoints, and to prospective writers, who will be able to reference their experience contributing to the Look...
STEFAN MAKHOUL At first listen, Lana Del Rey’s 7th studio album Chemtrails Over the Country Club may sound like a nostalgic ode to the '60s and to Del Rey’s own Midwest past, with a gorgeous soundscape, wispy vocals and sun-soaked visuals (in the accompanying videos), however one doesn’t need to look past the title to sense that the underlying message of the album is perhaps a little deeper and more cynical than might first be assumed. The referenced "chemtrail" conspiracy theory posits that the (ironically scenic) condensation trails left behind by aeroplanes contain chemicals used for nefarious purposes, undisclosed to the general public. In the album title, Del Rey links this with the ‘country club’, an institution of the middle and upper-middle classes, and an embodiment of Western lifestyle and the "American Dream". Self-aware nostalgia is a theme that recurs throughout the album both visually and sonically. In particular, the title track of the same name ...