Shakespeare’s first performed plays occurred in the late 16th century, the colour television was first demonstrated in 1928, the first YouTube video (‘Me at the zoo’, uploaded by co-founder Jawed Karim) was released approximately 23 years ago, and the modern social media titan, TikTok, was created approximately 10 years ago. The final marked an important, dangerous and disquieting epoch in entertainment. Though the claim that human attention span has dropped under that of a goldfish remains an incontrovertibly proven fallacy, in the past 20 years alone, the average amount of time a person can spend focused on a task digitally has plummeted from two and a half minutes to just 47 seconds. 47 seconds before we check the time, fiddle with our phones and lose our train of thought. Addiction to short-form content as such has greatly contributed to this collapse. To put it plainly, attention is a digital drug. It harnesses mass amounts of political, economic and social sway. For...
STEFAN MAKHOUL At first listen, Lana Del Rey’s 7th studio album Chemtrails Over the Country Club may sound like a nostalgic ode to the '60s and to Del Rey’s own Midwest past, with a gorgeous soundscape, wispy vocals and sun-soaked visuals (in the accompanying videos), however one doesn’t need to look past the title to sense that the underlying message of the album is perhaps a little deeper and more cynical than might first be assumed. The referenced "chemtrail" conspiracy theory posits that the (ironically scenic) condensation trails left behind by aeroplanes contain chemicals used for nefarious purposes, undisclosed to the general public. In the album title, Del Rey links this with the ‘country club’, an institution of the middle and upper-middle classes, and an embodiment of Western lifestyle and the "American Dream". Self-aware nostalgia is a theme that recurs throughout the album both visually and sonically. In particular, the title track of the same name ...