Skip to main content

General Election 2019 Profile




DAVID MORTIMER

31 October 2019. This was both the day that was lauded as the exit date for our departure from the European Union, and the date that the third general election was held in a four year time span. As has been the zeitgeist since the 2016 Referendum, Brexit has proved to be the most controversial and reviled issue that grips this nation, a fact that the Conservatives were eager to capitalise upon in calling the election, with polls suggesting the public resonated with Boris Johnson’s ‘Get Brexit Done’ rhetoric.
According to Yougov, the Conservatives were going into the general election with a 15% lead.

The Liberal Democrats would also benefit from the focus on Brexit. They have branded themselves the Party of Remain, promising to revoke Article 50, the process of leaving the EU, on day 1 if they were to get into office. Their manifesto is also designed around the idea of a ‘Remain Bonus’ of £50 billion, should the UK stay within the EU.

The Labour Party would undoubtedly want to shift attention away from Brexit, and onto other issues, such as the NHS, that the Labour Party and others are claiming will be subject to negotiations in trade talks with Donald Trump. They would also want to shift focus on issues such as homelessness, which has been on the rise. They have pointed to the statistics by Shelter suggesting that homelessness has been on the rise constantly since 2010.

Another area where Labour promise serious change is the environment. They promise to make get the UK to net zero carbon emissions by the 2030s. This is in contrast to the promise of the Conservatives to have the UK to net zero carbon emissions by 2050. The Conservatives, perhaps understandable considering their branding as the party of business, would not want to change policy in a way that would disrupt British industry. In contrast, Labour want to have what they call a ‘Green industrial revolution’. The lib dems can be considered middle of the road on this issue, wanting net zero by 2040.

Perhaps the biggest point of interest about the impending General Election is the sheer, military grade lying that is being employed by what seems to be every party and individual that has a stake in this election. I am writing this paragraph at 6 in the evening on Monday the 18th of November. Within the past twelve hours, both leaders of the two main political parties have made easily disprovable lies to the public.

Boris Johnson said at the CBI Conference in London about corporation tax that Jeremy Corbyn would ‘whack it straight up to the highest levels in Europe’. This is a lie. Labour’s proposed level of income tax is 26% by 2022, which, as demonstrated by the Organisation for Economic Cooperation and Development, would still leave us with a lower corporation tax rate than France, Greece and Portugal.
Jeremy Corbyn himself claimed that Britain has the lowest rate of recycling in Europe. This is similarly demonstrably untrue, as shown by the European Environment Agency, who finds the UK’s recycling rate to be 39%, the exact of EU rates.

This is quite impressive work for just one day, and can definitely be considered vindication for those who believe that we now live in a post-truth age, where facts truly don’t matter. This rather macabre realisation has led an increased use for ‘fact checkers’. Charities and websites, such as fullfact.org that take the claims of politicians and assess them for their accuracy are increasingly common. News organisations such as the BBC and Channel 4 has been starting to take on their responsibility to scrutinise with new fact checking services. 

After all of the battle, debates and conflict of this campaign, the result is going to define our generation. We are presented with two incredibly distinct options of where our country should be in five years time, in terms of Brexit, in terms of the environment, in terms of the economy. The decisions made by whatever government is elected is going to be possibly irreversible, the mould that could shape our nation for decades. If you have the vote, I implore you to use it on the 12th of December, and have your imprint upon the most decisive result of a generation.

Comments

Popular posts from this blog

A CALL TO CREATIVITY

Hello and welcome to The Looking Glass, WBGS' very own Academic Blog.  This year we are planning to breathe new life into this amazing blog as the Academic Head Boy team for 2025- 2026! However, at the Looking Glass we need your help to catapult this blog into it's GOLDEN AGE.  We need your articles, your essays, your opinions and your finest work to MAKE THE LOOKING GLASS GREAT AGAIN! If you have read something interesting or watched something that sparked a thought on social media -  WRITE ABOUT IT! If you entered a competition, however big or small - WRITE ABOUT IT! If you are interested in a specific field, issue or period - WRITE ABOUT IT! If you have produced artwork, a piece of music or creative writing - WE WILL PUBLISH IT! Your creative skills have been called to action - now we must muster to create, discover and explore.  You are the creative minds of the future. The Plato's, the Newtons, the Angelo's, the Nietzsche's. This is your calling.  This is Y...

Clair de Lune: The history of the world’s most overplayed piano piece

CHAMOD SAMARASINGHE Classical music is an unusual art. It is dominated by a few pieces which are far more popular than everything else which has been composed within the past few centuries. When compared to Beethoven’s fifth symphony, Bach’s toccata in d minor, Handel’s messiah and fur Elise (and a few others), everything else is a comparative blur to most. Scholars could argue that this is due to their memorable nature and overall simplicity (for the listener, not the composer), but there is one notable exception to this rule: Clair de Lune by Claude Debussy. While the opening melody is certainly ear-catching and repetitive, everything else seems deliberately ambiguous, perfectly melancholy, and at times downright unusual. 

Complexity for complexity’s sake? The Ars subtilior repertory

MR B. F. EASTLEY, MATHEMATICS TEACHER This essay provides a brief overview of a fascinating period of musical development during the latter half of the fourteenth century, during which some of the most sophisticated music ever written was composed and performed. The ‘Ars subtilior’ or ‘subtler art’ (a 20th century musicologist’s title) is a repertory of several hundred songs by French, Italian, Flemish, and Spanish musicians. This music is quite distinct from other contemporary compositions due to its dazzling complexity in all aspects – particularly rhythmic – but also harmonic, textual, and sometimes visual.